Infinite Jesters

I took the hurricane of two weeks ago as an excuse to start reading Infinite Jest, by David Foster Wallace.  I’m 287 pages in as of this afternoon – this is not a book to read in bits and pieces, but even a single sustained push for a few hours won’t get you very far.  A marathon of a book, but I expected that.  Like Neil Gaiman said in his intro to The Kindly Ones: Great Art is the kind you can use to stun a burglar.

I didn’t expect David Foster Wallace to read so much like Neal Stephenson.  I didn’t expect this book to be science fiction.  I didn’t expect to find myself urging on, loving, and being anxious about the no-doubt horrid fate of a cast of tennis pros, burglars, recovering addicts, drug dealers, radio personalities, child prodigies, wheelchair assassins, football stars, and fine artists.  I didn’t expect the face in the floor.  I didn’t expect compassion and fate and mortality to emerge out of the sheer quantity of damage on display.  I didn’t expect footnotes within footnotes, crossreferencing footnotes, to transform this book into a kind of hypertext narrative.

As I make notes & write mad disconnected scenes for my next book, I’m trying to let the sheer quantity of invention, the combination of sense-of-wonder and gut-feel-of-humanity, bleed through.  I’m playing with form, including lists, and letting time stretch.  At the same time, I plan to avoid the “You Could Stun A Burglar With This”-length.  For now.

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Max Gladstone Writing about Reading and Writing and Hopefully Liberation
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